How to turn into my mother

It’s an ancient cliché that with each passing year, we grow more and more like our mothers. A carefree individual is swallowed into a resemblance of the woman who raised her.  But what truth does this myth hold today,  when women often have radically different experiences from their mothers and self-awareness is at its peak?

Women go through all manner of intricate measures to avoid becoming their mothers: there’s the therapist specialising in pattern recognition; the exercise regime keeping hereditary bulk at bay and let’s not forget the constant self-reprimand to listen, where she would have butted in, or speak up, when she would have stayed silent. We have a lot to lose if we surrender – our youth and identity for one. And yet we love our mothers, hold much of what they did as a gold standard and are anxious when we fall short.

blossomfeet w
In whose shoes?

I was touched to learn that a woman who had a hostile relationship with her tough-loving, erratic mother and dreaded becoming her, found peace in recognising that she inherited her fierceness. Fierceness, an uncommercial trait that the endless tea-parties and pink blooms surrounding mother’s day don’t account for – though anyone who has given birth, watched a wildlife documentary or dealt with a suburban woman trying to get her child through the 11+, knows it’s integral to maternity.

Growing up, I saw my mother as her own person. She worked full-time, while other mothers stayed at home, so I felt part of her life, rather than the centre. Sensitive and loving, she is unapologetically herself. I see myself becoming more like her in at least four ways, though I haven’t yet made the final leap…

1. Suffering fools badly

With the exception of mildly bigoted elders from another era, who must be half-listened to and gently corrected, my mother doesn’t give fools the time of day, let alone allow them to influence her decisions. Controversially, whenever I was upset because someone scolded me for my opinion or cheek, mum would say they weren’t as clever as me. It didn’t matter whether this was my nanny, an older relative, or a Cambridge-educated mathematician. For a young girl, this was as radical as Marx’s comment on religion – it made me think that intelligence had the potential to dethrone authorities.  Taken literally, her stance could make me arrogant or intolerant of different perspectives. It’s vital to listen, but also to have boundaries and know how to protest the most dangerous kinds of foolishness.

paperdew

2. Asking for obscenely wishful things

My mother has never shied away from asking for what she wants and is relentless until she has pursued every option for getting it. I have to admit, this quality embarrassed me when I was younger – I was the sort of person who would rather go hungry than face the awkwardness of asking for a vegetarian option. But now, whenever I have a craving, however fanciful, I will go to lengths to satisfy it.  There is a bench seat in a cafe with a view of a goldfish pond. After work on Tuesday, I knew that I had to go there and write. So, I walk for an hour, uphill, in high heels and when I reach my destination, find  two others have taken the space.  I sit at a neighbouring table and can’t help noticing they are so deep into their digital spheres, the view may as well not be there. Which pisses me off. The guy is wearing headphones, so I figure the girl is a safer bet. Before I can stop myself, I’m asking if we can swap seats, because I came here to draw that view (a teeny white lie). She  refuses, saying she too likes the view and is communing with the fish telepathically as she’s magnetised to her feed. Shrugging, I slink back to my seat. A minute later, the guy in headphones come over and asks, ‘sorry, did you want to sit by the view?’ Et volià.

seppi
I capture the goldfish pond

3. Nurturing a collection of tiny containers

Like every old-fashioned housewife, my mother adheres to the proverb: ‘waste not, want not.’ Like a figure-conscious yummy mummy, she also doesn’t let a morsel of food she’s not hungry for, pass her lips. Hence the tiny containers. She drinks red-wine from a finger bowl she stole from the Eurostar; stores four remaining spaghetti strands in an egg cup and a dwindling stock of Christmas truffles are transferred to ever smaller dishes. She also collects shells and glass bottles with bases so minute, they have to lie on their bellies.

aphrodite'sbreakfast2
About a fifth of my tiny container collection

 

4. Never missing an opportunity to practice my latest skill

When mum begins a new hobby, it inflects everything she does. Now that she’s learning French, and determined to maintain her standing as étoile de la classe, she not only texts in French, but pronounces all ethnically ambiguous words and trade names in a French accent. E.g.: I-bu-pro-fén (Ibuprofen) and Có-có (Combined Codeine). She only half jokes that should she wind up on the wrong side of Article 50, she will move to France.*

instafish
Joined Instagram this week and have been finding every excuse to practice using my new app. This abandoned sticker, for one…

5. Miraculously never gathering fluff 

My mother is always immaculate. I have never seen her coats or woollen jumpers pill or attract stray bits of fluff. I think she’s a witch…

labelled cat*This is unlikely, as my mother has the immunity of formerly colonised peoples and decades of residency in this country. Only the likes of Theresa May are safer from deportation. But it’s her dream that counts.

Reading With Pleasure and Resistance: Poached Books, Vol. 3

I don’t steal other people’s books so much as ‘borrow’ them when they haven’t been officially lent to me.  A primary instance happened when I was about eleven and my best friend and I were looking for trouble in her attic and found The Joy of Sex, a 1970s sex manual. We opened it up and simply stared. Body parts swelling and merging in ways we couldn’t imagine! And the man had long hair and a beard! This was mystifying in the age of Leo and the Backstreet Boys. We heard footsteps, and quickly stuffed the book back in its place, ensuring that the loose double-pages were folded back in. At that stage, we wanted a peek at knowledge that wasn’t available to us, but weren’t really ready to come to terms with it.

spessivtseva valentine
Kind of what happens inside The Joy of Sex. This is actually a clandestine copy of a Valentine in the Paris Opera archive, where I wasn’t allowed to take photographs.

This summer, I was in the makeshift office that had once been my brother’s bedroom and spotted a tomato-red, twenty-fifth-anniversary edition of The Alchemist by Paulo Coehlo. I remembered my brother mentioning it before his motorcycle and bonobo monkey research trip around Africa, and was curious. On the inner leaf was a dedication from an unknown Nik to ‘Mowgli’, his explorer alter-ego:

mowgli

I wasn’t on the African adventure, but wanted to identify with the ‘true warrior’ who would receive such a dedication, so I slipped the book into my bag. I didn’t feel too bad about it because my brother freely ‘borrows’ my books and returns them in the state of shipwrecked voyagers, with curled pages and half-eroded covers. Besides, he was out of reach, so there was no way to ask him for permission. The Alchemist, a story of a shepherd boy’s trek to Egypt in search of the pyramids and a promised treasure, accompanied me on my own journeys across London for the 5 days it took to read it. In Alan Clarke’s translation, Coehlo’s prose had the spare and sparkling quality of a fairytale, with a touch more sentiment.

Proverbial phrases from the sages the boy meets on his journey, jumped out at me. They seemed relevant beyond the novel’s concise 171 pages and made me feel that its quest was my own. This was Coehlo’s intention for the book and I took the bait. Here’s an assortment of proverbs:

1. ‘A blessing ignored becomes a curse…’  How simple, and yet how true. Neglected treasures, whether people, talents or possessions have a way of skulking around, casting great guilty shadows and becoming our enemies.  A silk dress left in the closet attracts moths, a beloved who is taken for granted becomes a shrew, and creatives who sideline their practice are notorious drama queens and time-wasters.

2. ‘I know sheep can be friends… I don’t know if the desert can be a friend…’  This could be my favourite of the boy’s musings! It expresses gratitude and tenderness for the friendships he already has, and curiosity about the unknown. Sure, in many ways the arid desert seems the opposite of the shepherd’s fleecy flock; but he’s not about to dismiss it as an enemy out of hand. If more people were this open to difference, there would be less mistrust in the world and fewer wars, seriously.

3. ‘Love never keeps a man from pursuing his personal legend. If he abandons that pursuit, it’s because it wasn’t the love that speaks the language of the world…’  This comes up when the boy considers relinquishing his quest for treasure upon meeting Fatima, his heart’s desire, in an oasis. The statement advocates a world picture based on abundance and trust rather than scarcity and fear. It’s idealised, but I admire its generosity.

sirene lisant
This fish’s personal legend was clearly to jump out of the water and dive into a book…

As much as The Alchemist paved its way into my thoughts, at times its gender bias reminded me that I had stolen the book from my brother. The male nameless shepherd’s personal legend is journey towards the treasure; whereas his Intended, Fatima’s personal legend is him. Fatima is given some of the most beautiful and moving lines in the book:

‘I’m a desert woman, and I’m proud of that. I want my husband to wander as free as the wind that shapes the dunes. And, if I have to, I will accept the fact that he has become a part of the clouds, and the animals, and the water of the desert…’ 

Her words are noble because they describe love as gift to be open to, but not as an entity that can be possessed and controlled. And yet, there is something limiting (Penelope-like) about her destiny as an eternally receptive vessel with no journey of her own. Doesn’t she want to wander too, have a personal quest that can coexist with her love, not be wholly informed by it? But there I go, imagining fairytale endings for a story that’s not mine…

superlion
Universal journey or Boys’ Own adventure?

Some borrowings require more tact and subtlety. Every Thursday I sit in my supervisor’s office for an hour, when students can come and ask questions about the course. They rarely do.  So I sit on her spinning chair and scan shelf upon shelf of books. Some are gleaming and expensive, with the aura of gifts; others are tiny, rare and cloth-bound; these, I imagine, have been carefully sourced. Intriguingly specific studies of now-forgotten designers are juxtaposed with sentimental titles like Wartime Kiss and generic volumes from grand theorists. The books have been thematically arranged and delicately handled. Apart from the odd volume placed askew, perhaps as a reference point, they appear as untouched as Snow White under rock crystal.  When I take one to pass the hour, because after all, no one said I shouldn’t, I’m careful not to touch the book too much, change its shape, or God forbid, break its spine, and replace it with the exactitude of evidence in a murder scene. In this space, bibliophilia means something different from my own cavalier love for my travelling volumes. As a thief of sorts, I must be respectful, or get caught.

snowwhite
Immaculate book, crystalline pages

Poaching books is a way of crossing each other’s boundaries. We do it because we’re curious and want to be close, perhaps as a way of identifying with someone, or gaining some sort of subtle knowledge about them, or for ourselves. It could be seen as a creepy act, because no-one has given you direct permission; but, done respectfully, it can also be an empathetic gesture. Perhaps a person’s books, like their actions and body language, are indirect or surrounding manifestations of their character and dreams, beyond the words they choose to speak. To adopt Coehlo’s theme, these unspoken signals form part of ‘the language of the world.’

wartimekiss

 

Reading List

Alex Comfort, The Joy of Sex (London: Quartet Books, 1974). *

Paulo Coehlo, The Alchemist: 25th Anniversary Edition, trans. Alan Clarke (New York: Harper Collins, 2014).

Alexander Nemerov, Wartime Kiss (Princeton: Princeton University Press, 2012).

*I can’t remember which edition we found in the attic, but this is the original.